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"Génesis" and the Body She Paints Her Way Through

Dalila Pinci's most story-laden work portrays a woman at war with herself, and her wider practice turns identity and selfhood into paint.

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Artwork by Dalila Pinci

The work Dalila Pinci considers most loaded with story is titled Génesis, the painting of two women on the floor, one in a vividly colourful bathroom. It is, she says, a portrait of an internal battle.

Oil painting of a fragmented pale face dissolving into pale yellow-green flowers against a pink and green abstract ground

"The work with the most story in it is called Génesis, because it portrays a young woman and her self-inflicted battle," Pinci says. "Her struggle to be free in the world, her confinement to the home, and her sad reflections about life all come together to depict a story of a woman conflicted with her own body."

“I want to portray expressions of identity and self through my art, which is also why I do self-portrait.”

Painting of three women in pink slip dresses in a tiled bathroom holding bouquets, the central figure tilting back with a knife to her tongue

That focus grows directly out of her own life. "My creative inspirations come from my own experiences, especially being a woman and what that means to me," she says. "I want to portray expressions of identity and self through my art, which is also why I do self-portrait."

Loose, vividly coloured gouache of a woman's face, a small child, a fruit bowl and a ball in a domestic interior

The recognition of others, in turn, feeds the next work. "I feel grateful and inspired when others see and recognize the talent in my works," Pinci says. "It makes me want to create more."

Abstract watercolour of layered blooms of colour with faint figures emerging from the wash

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